Beall Center for Art + Technology Unveils Katherine Behar's Groundbreaking Exhibition 'Ack! Knowledge! Work!'


The Exhibition Explores the Intersection of Digital Automation and the Future of Labor

IRVINE, Calif. (January 25, 2024) – The Beall Center for Art + Technology at the University of California, Irvine, is pleased to announce the opening of Katherine Behar: Ack! Knowledge! Work, curated by Jesse Colin Jackson. The exhibition opens on Saturday, Feb. 3, 2024, and will run through Saturday April 20, 2024.  

Katherine Behar: Ack! Knowledge! Work! is the artist’s first solo show at the Beall Center. Behar looks towards digital automation and the future of labor. Developed since 2016, her series of sculptures, interactive installations, and videos appropriates technologies of office work–chairs, keyboards, and printer paper–in an effort to resist the reduction of self into units of productivity. At once a gesture of revolt and of witnessing, Behar invites audiences to “ack-knowledge” the invisible marks of labor which uphold digital networks, and to interrogate the supposed intelligence often bestowed upon the menial, and near-automatic “work” of white-collar office roles.

In Behar’s hands, everyday office items shape-shift to defy their intended use. The robotic installation Anonymous Autonomous, premiering at the Beall after several years of trials and testing, presents an office devoid of human workers, in which the paper pushing normally performed by laborers is continued by office furniture. In the interactive installation Indispensable, a hand-sanitizer dispenser challenges power dynamics by defying expectations, aphorizing instead of assuaging. In the sculpture series Shelf Life, QWERTY keyboard keys coagulate into lively orbs and animate into bulbous projections. These works, among others, address how technologies of automation are reforming the future of work across labor domains.

“We understand that automation could lead to unemployment, but even so we wish tedious work could be automated away,” said artist Katherine Behar. “Ultimately, these artworks are sympathetic when it comes to locating minor dignities in all jobs, regardless of who or what performs them. So, the exhibition entreats us: Ack! Knowledge! Work!”

A new work-in-progress created during Behar’s Black Box Projects residency, We Grasp at Straws (Take One), uses manual work and digital digits to reintroduce the human body to our virtualization technologies. Five dancers wearing motion capture suits embody fingers that collectively form a hand, grasping at body-scale straws. Where motion capture might typically enfold actors in a CGI skin, We Grasp at Straws (Take One) reveals its performers as they are, posing in MoCap suits in a chroma key studio, satirizing the elaborate and effortful production process of digital animation. Behar’s work iterates on a previous piece, which made a parody of a robot’s attempt to make baskets without human assistance, criticizing views of automation which assume total human replaceability.

“Simultaneously deploying sophisticated technologies and trenchant critique of these technologies, Katherine Behar’s work is a pitch-perfect expression of our ambivalent moment,” said curator Jesse Colin Jackson, Executive Director of the Beall. “Behar upends structures and systems we take for granted, creating a parallel universe in which the dystopia we’ve created is raised from our subconscious. Do technologies work for us, or do we work for them?” 

Katherine Behar: Ack! Knowledge! Work! will be on view from February 3 through April 20, 2024. The opening reception will take place on Saturday, February 3 from 2–5 p.m. The Beall Center offers free admission and open to the public during the academic year, Tuesday–Saturday from 12 noon–6 p.m.

Katherine Behar: Ack! Knowledge! Work! is supported by The Beall Family Foundation and the Claire Trevor School of the Arts.

Image: Katherine Behar. Anonymous Autonomous (version 3), 2022. Interactive installation with modified office chairs, motors, sensors, custom electronics, custom software, computers, vinyl, paper, sound; variable dimensions. Photo: David Cecchetto. Image courtesy of the artist.

About Katherine Behar: Katherine Behar is an interdisciplinary artist and critical theorist of new media. Through feminism and materialism, she explores gender, race, class, and labor in contemporary digital culture. She is known for projects that mix low and high technologies to create hybrid forms that are by turns humorous and sensuous. Behar’s artwork is exhibited throughout North America and Europe and held in private collections. Data’s Entry | Veri Girişi, a survey exhibition and catalog documenting eight years of work, was presented at Pera Museum, Istanbul. Additional solo exhibitions include Shelf Life, a site-specific installation at Trinity College, Backups, appearing at Framingham State University, and E-Waste, premiering with a catalog at the University of Kentucky and traveling to Boston Cyberarts Gallery. Since 2005 she has collaborated with Marianne M. Kim, exhibiting and performing as “Disorientalism.” Behar is the editor of Object-Oriented Feminism (University of Minnesota Press, 2016), coeditor of And Another Thing: Nonanthropocentrism and Art (Punctum Books, 2016), and author of Bigger than You: Big Data and Obesity (Punctum Books, 2016). Her writing has been translated into Turkish, Portuguese, Russian, Lithuanian, and Spanish. Behar is Professor of New Media Arts at Baruch College and The Graduate Center of the City University of New York.

About the Beall Center for Art + Technology: The Beall Center is an exhibition and research center located at the University of California, Irvine, in the Claire Trevor School of the Arts. Since its opening in 2000, the Beall Center has promoted new forms of creation and expression by building innovative scholarly relationships and community collaborations among artists, scientists, and technologists and by encouraging research and development of art forms that can affect the future. For artists, the Beall Center serves as a proving ground – a place between the artist’s studio and the art museum – and allows them to work with new technologies in their early stages of development. For visitors, the Beall Center serves as a window to the most imaginative and creative visual arts innovations. The curatorial focus is a diverse range of innovative, world-renowned artists, both national and international, who work with experimental and interactive media. The Beall Center received its initial support from the Rockwell Corp. in honor of retired chairman Don Beall and his wife, Joan – the core idea being to merge their lifelong passions of business, engineering, and the arts in one place. Today major support is generously provided by the Beall Family Foundation. For more information, visit

About the Claire Trevor School of the Arts: As UCI’s creative engine, the Claire Trevor School of the Arts has proven itself to be a national leader in training future generations of artists and scholars who go on to inspire audiences in theaters, galleries and concert halls – as well as in entertainment and technology-related venues throughout the world. CTSA combines artistic training with a top-ranked liberal arts education. It is home to the departments of art, dance, drama and music, offering 15 undergraduate and graduate degree programs and two minors. CTSA is currently ranked No. 1 in affordable fine arts, drama/theater and music degrees by the College Affordability Guide. Courses include extensive studio, workshop and performance experiences; theoretical and historical studies; and arts and technology practices. CTSA’s nationally ranked programs begin with training but culminate in original invention. The distinguished, international faculty work across a wide variety of art forms and forge interdisciplinary partnerships with others across the campus. For more information, visit 

About the University of California, Irvine: Founded in 1965, UCI is a member of the prestigious Association of American Universities and is ranked among the nation’s top 10 public universities by U.S. News & World Report. The campus has produced five Nobel laureates and is known for its academic achievement, premier research, innovation and anteater mascot. Led by Chancellor Howard Gillman, UCI has more than 36,000 students and offers 224 degree programs. It’s located in one of the world’s safest and most economically vibrant communities and is Orange County’s second-largest employer, contributing $7 billion annually to the local economy and $8 billion statewide. For more on UCI, visit

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