Faculty In the News

Works & Process At The Guggenheim Presents A Costume And Dance Commission 'Reid Bartelme And Harriet Jung'

Works & Process, the performing arts series at the Guggenheim, presents a costume and dance commission, Reid Bartelme and Harriet Jung, on Sunday, March 25 and Monday, March 26, 2018 at 7:30pm. Costume design takes center stage in these new works devised by designers Reid Bartelme & Harriet Jung in collaboration with their favorite clients and dance makers, Jack Ferver, Burr Johnson, Lar Lubovitch, Pam Tanowitz, and Gwen Welliver, danced by Reid Bartelme, Maggie Cloud, Jack Ferver, Russell Janzen, Burr Johnson, Harriet Jung, and Stuart.

The Theater 14th Street Y & Bearded Ladies Productions Present Y Cabaret

The Theater 14th Street Y & Bearded Ladies Productions present the 4th Y Cabaret, as part of the Theater/Dance Series curated at The Theater at The 14th Street Y, 344 E. 14th Street, NYC on March 24 & 25, 2018 at 8pm.The Y Cabaret is evening of drinks, dance, and food and features choreographers: Nicole Von Arx, Peter Cheng, Mei Yamanaka, Roya Carreras, Kristen Carcone, BAIRA (formerly BS Movement), and Princess Lockerooo, hosted by Clinton Edward.

Alumni and Faculty to be featured in Made in LA 2018 at the Hammer Museum

Opening June 3, Made in LA 2018, the Hammer Museum’s biennial survey exhibition of recent artwork from Southern Californian artists, is featuring two UCI alumni- Linda Stark (MFA 1985) and Alison O’Daniel (MFA 2010)- and one current UCI professor- Daniel Joseph Martinez- amongst its roster of 32 participating artists. 


Lar Lubovitch: Bringing His Vision To Light

The dancers held their arms in position like those of a T-Rex, their elbows attached to their sides.  Their hands dangling in front of their stomachs, bending at the wrists and swinging back and forth, they ran through the circling sequence. Drops of sweat trickled down their foreheads and backs,  coating their shirts with a visible layer of moisture.  Lar Lubovitch sat at the front of the studio, at the edge of his seat, his heels lifted off of the floor as his toes kept time with the music. He folded his hands together anxiously as he analyzed his dancers moving through the sequence, preparing for the Claire Trevor School of Arts’ annual production, Dance Visions, which these dancers performed Feb. 22 to 25, Thursday through Saturday of last week.

Lubovitch originally choreographed his  piece “Marimba” in 1976. It is a traditional trance dance — rhythmic dancing sequences that are used to reach a new state of consciousness.  This was one of the first dances created with...

Amy Bauer to give keynote lecture at "Dislocations: Reassessing Ligeti’s Many Worlds in the 21st Century" symposium

Amy Bauer will give the keynote lecture, "Read my Désordre! Ligeti Against the Historicists" at  at the University of Chicago March 6–8, 2018

The ambiguities of Daniel Joseph Martinez’s blunt statements.

"Not so much the imagery but the title of Daniel Joseph Martinez’s recent exhibition at the Roberts & Tilton gallery (newly renamed Roberts Projects) in Culver City, California, led me to wonder about that sense of identification between a male artist and his female subject that Flaubert and Williams are supposed to exemplify—although in the case of Martinez, the subject is not fictional but a historical personage. The exhibition was called “I am Ulrike Meinhof or (someone once told me time is a flat circle).” Leaving aside for a moment the show’s more obviously riddling subtitle, what could Martinez mean by his “Ulrike Meinhof, c’est moi”? It would be wise not to answer too quickly: Martinez has a history of hanging his work on blunt first-person statements that get more ambiguous the closer you look at them. One of them has kept me pondering for almost 25 years."

AWMAT Combines Women in Art with Technology

Mari Kimura was the keynote speaker at the Alliance of Women in Media Arts and Technology (AWMAT) conference. Kimura explains how being at the forefront of her field is something she grew up with.

“[My mother] is the current president of ILO in Japan. It’s the International Labour Organization, and my grandmother was the first Japanese female politician,” Kimura said.

In addition to strong female figures, her father is a pioneer in solar energy, as he designed Japan’s first solar house where Kimura grew up.

Kimura gave anecdotes about how her parents met, how she met her husband and her move from New York to Irvine. While she is successful in her field, she speaks about the sexism her mother faced in Japan and the sexism she faced in the U.S.

“My mom went back to Japan with my dad when she was eight months pregnant with me. She was the only female law student. Then her adviser comes from the other corridor and he says, ‘Oh, Mrs. Kimura, there’s a job...

Professor Daniel Joseph Martinez in Exhibition for the Hammer Museum Biennial

Professor Daniel Joseph Martinez will be featured in the upcoming Made in L.A. 2018 of the Hammer's biennial exhibition.

Made in L.A. 2018 is the fourth iteration of the Hammer’s biennial exhibition, continuing to highlight the practices of artists working throughout Los Angeles and the surrounding areas. The exhibition is organized by Hammer curators Anne Ellegood and Erin Christovale. The exhibition will be accompanied by a comprehensive catalogue, as well as a full roster of free public programming.

Daniel Joseph Martinez has been selected for the Vancouver Biennale

Professor Daniel Joseph Martinez has been selected to be featured at the Vancouver Biennale in July.

Kei Akagi Releases a New Album that Features Fellow UCI Faculty Members Kojiro Umezaki and Darek Oles

Chancellor’s Professor of Music Kei Akagi releases a new album that features fellow UCI faculty members Kojiro Umezaki and Darek Oles:


Contemporary Asian Perspectives in American Music

Kei Akagi (piano)

Kojiro Umezaki (shakuhachi)

Darek Oles (bass)

Tamaya Honda (drums)

“This project has its roots in a question I asked myself a long time ago: As a first-generation Japanese American, how can I bring together the music of my heritage with the immense richness of jazz that I have been blessed to be part of? I was doubly fortunate to be able to call on such enormously gifted musical compatriots: Kojiro Umezaki, Darek Oles, Tamaya Honda.

This album brings together contemporary music and Japanese modernism within a framework of jazz improvisation. The music is haunting but grounded, delicate but energetic, structured yet free.

The recording includes four of my original compositions. There are two pieces...