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X-WR-TIMEZONE:America/Los_Angeles
X-WR-CALNAME:The Art of Performance @ UC Irvine 12th Edition
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TZID:America/Los_Angeles
TZUNTIL:20281105T090000
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TZNAME:PST
DTSTART:20261101T020000
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
RDATE:20271107T020000
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DTSTART:20270314T020000
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DTSTAMP:20261015T205120Z
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CREATED:20261006T204529Z
DESCRIPTION:<p><strong>The Art of Performance 12th Edition</strong> is pres
 ented as part of High Performance: A 2-Year Conference (2025–2027) initiat
 ed by the Performance Art Museum\, Los Angeles. It is a multi-institutiona
 l exploration of the magazine’s enduring impact on contemporary performanc
 e and community. This project honors the legacy of High Performance magazi
 ne (1978–1997) and the writing of Jacki Apple. She was the contributing an
 d media arts editor from 1983 to 1995\, who helped shape the discourse aro
 und the emerging performance art scene in Los Angeles. Apple’s essays comb
 ined close observation with cultural and historical context\, positioning 
 interdisciplinary performance as a vital form of social and artistic pract
 ice. Activating her writing as a curatorial framework\, this three-day res
 idency brings together artists Apple championed through their new performa
 nce\, sound\, movement and installation projects. These performances map c
 onnections between these histories\, communities and artists.</p><p><u>Art
 ists</u><br><strong>Lin Hixson and Every house has a door</strong> — The F
 ossil Record<br><strong>Anna Holmer</strong> — Bread Woman<br><strong>Paul
  Chavez and Carmina Escobar</strong> — We Who Learned to Breathe Water<br>
 <strong>Simon Leung</strong> — Instant / Replay<br> </p>
DTSTART;TZID=America/Los_Angeles:20270311T200000
DTEND;TZID=America/Los_Angeles:20270312T000000
LAST-MODIFIED:20261014T212216Z
SUMMARY:The Art of Performance @ UC Irvine 12th Edition
TRANSP:OPAQUE
X-ALT-DESC;FMTTYPE=TEXT/HTML:<p><em><strong>The Art of Performance 12th Edi
 tion</strong></em> is presented as part of <em>High Performance: A 2-Year 
 Conference (2025–2027)</em> initiated by the Performance Art Museum\, Los 
 Angeles. It is a multi-institutional exploration of the magazine’s endurin
 g impact on contemporary performance and community. This project honors th
 e legacy of <em>High Performance</em> magazine (1978–1997) and the writing
  of Jacki Apple. She was the contributing and media arts editor from 1983 
 to 1995\, who helped shape the discourse around the emerging performance a
 rt scene in Los Angeles. Apple’s essays combined close observation with cu
 ltural and historical context\, positioning interdisciplinary performance 
 as a vital form of social and artistic practice. Activating her writing as
  a curatorial framework\, this three-day residency brings together artists
  Apple championed through their new performance\, sound\, movement and ins
 tallation projects. These performances map connections between these histo
 ries\, communities and artists.</p><p><u>Artists</u><br><strong>Lin Hixson
  and Every house has a door</strong> — <em>The Fossil Record</em><br><stro
 ng>Anna Holmer</strong> — <em>Bread Woman</em><br><strong>Paul Chavez and 
 Carmina Escobar</strong> — <em>We Who Learned to Breathe Water</em><br><st
 rong>Simon Leung</strong> — <em>Instant / Replay</em><br>&nbsp\;</p>
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