BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//https://www.arts.uci.edu//NONSGML iCalcreator 2.41.56//
CALSCALE:GREGORIAN
METHOD:PUBLISH
UID:30333965-3866-4933-b430-656461373036
X-WR-RELCALID:node-11118-field_dates
X-WR-TIMEZONE:America/Los_Angeles
X-WR-CALNAME:Testament: Beethoven’s Holy City | Orchestral Masterworks
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
TZUNTIL:20281105T090000
BEGIN:STANDARD
TZNAME:PST
DTSTART:20261101T020000
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
RDATE:20271107T020000
END:STANDARD
BEGIN:DAYLIGHT
TZNAME:PDT
DTSTART:20260308T020000
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
RDATE:20270314T020000
RDATE:20280312T020000
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
UID:39363830-3437-4138-b731-306234613634
DTSTAMP:20260722T140829Z
CLASS:PUBLIC
CREATED:20260624T231247Z
DESCRIPTION:<p>The UC Irvine Symphony Orchestra and Choirs present Testamen
 t: Beethoven’s Holy City\, a program pairing two of Beethoven’s most endur
 ing works: his Symphony No. 3 “Eroica” and the oratorio Christ on the Moun
 t of Olives.</p><p>Written within a year of each other\, the pieces came i
 n the wake of Beethoven’s “Heiligenstadt Testament\,” a private letter to 
 his brothers in which he confessed his growing deafness and loss of hope. 
 In spite of this backdrop\, both the “Eroica” Symphony — originally dedica
 ted to Napoleon — and Christ on the Mount of Olives — a humanistic setting
  of the Christ passion — express the uplifting “strife-to-victory” journey
  for which Beethoven’s music is so beloved. </p><p>Conducted by Geoffrey P
 ope\, the evening celebrates the collaboration of the UCI Symphony and Cho
 irs in a program of resilience\, forgiveness and transcendence. </p>
DTSTART;TZID=America/Los_Angeles:20270304T200000
DTEND;TZID=America/Los_Angeles:20270305T000000
LAST-MODIFIED:20260707T231839Z
SUMMARY:Testament: Beethoven’s Holy City | Orchestral Masterworks
TRANSP:OPAQUE
X-ALT-DESC;FMTTYPE=TEXT/HTML:<p>The UC Irvine Symphony Orchestra and Choirs
  present <em>Testament: Beethoven’s Holy City</em>\, a program pairing two
  of Beethoven’s most enduring works: his Symphony No. 3 “<em>Eroica</em>” 
 and the oratorio <em>Christ on the Mount of Olives</em>.</p><p>Written wit
 hin a year of each other\, the pieces came in the wake of Beethoven’s “Hei
 ligenstadt Testament\,” a private letter to his brothers in which he confe
 ssed his growing deafness and loss of hope. In spite of this backdrop\, bo
 th the “<em>Eroica</em>” Symphony — originally dedicated to Napoleon — and
  <em>Christ on the Mount of Olives </em>— a humanistic setting of the Chri
 st passion — express the uplifting “strife-to-victory” journey for which B
 eethoven’s music is so beloved.&nbsp\;</p><p>Conducted by Geoffrey Pope\, 
 the evening celebrates the collaboration of the UCI Symphony and Choirs in
  a program of resilience\, forgiveness and transcendence.&nbsp\;</p>
END:VEVENT
END:VCALENDAR
