Do You Feel Me? is a musical dramedy about the experience of the womanbody in the patriarchal capitalist society into which she was bo rn and in which she is asked to live. It is a synthesis of new contemporar y text\, excerpts from translated and adapted ancient Greek tragedy and co medy\, live music\, interactive digital technologies\, human bodies (perfo rmers\, spectators) and performance art aesthetics. Could the feminine que stion that Daphne Brooks listens to in her heroines' Liner Notes for the R evolution (2021) be finally felt? “Do you feel me?” Do we feel Antigone's love? Do we feel Cassandra's need to be heard? Do we feel Nina Simone's cr y for equity? Do we feel the author's immigrant positionality in the curre nt US sociopolitical landscape? By centering these questions\, this projec t creates a ritualistic multisensory performance space that critiques hete ronormative capitalist structures and gives the subjugated womanbody the o pportunity to name her existence in her own terms.
DTSTART;TZID=America/Los_Angeles:20260522T200000 DTEND;TZID=America/Los_Angeles:20260523T000000 LAST-MODIFIED:20260513T212347Z SUMMARY:Do You Feel Me? TRANSP:OPAQUE X-ALT-DESC;FMTTYPE=TEXT/HTML:Do You Feel Me? is a musical drame dy about the experience of the womanbody in the patriarchal capit alist society into which she was born and in which she is asked to live. I t is a synthesis of new contemporary text\, excerpts from translated and a dapted ancient Greek tragedy and comedy\, live music\, interactive digital technologies\, human bodies (performers\, spectators) and performance art aesthetics. Could the feminine question that Daphne Brooks listens to in her heroines' Liner Notes for the Revolution (2021) be finally fe lt? “Do you feel me?” Do we feel Antigone's love? Do we feel Cassandra's n eed to be heard? Do we feel Nina Simone's cry for equity? Do we feel the a uthor's immigrant positionality in the current US sociopolitical landscape ? By centering these questions\, this project creates a ritualistic multis ensory performance space that critiques heteronormative capitalist structu res and gives the subjugated womanbody the opportunity to name he r existence in her own terms.
END:VEVENT BEGIN:VEVENT UID:36366334-3135-4232-b937-376333653831 DTSTAMP:20260517T120345Z CLASS:PUBLIC CREATED:20260513T195554Z DESCRIPTION:Do You Feel Me? is a musical dramedy about the experience of the womanbody in the patriarchal capitalist society into which she was bo rn and in which she is asked to live. It is a synthesis of new contemporar y text\, excerpts from translated and adapted ancient Greek tragedy and co medy\, live music\, interactive digital technologies\, human bodies (perfo rmers\, spectators) and performance art aesthetics. Could the feminine que stion that Daphne Brooks listens to in her heroines' Liner Notes for the R evolution (2021) be finally felt? “Do you feel me?” Do we feel Antigone's love? Do we feel Cassandra's need to be heard? Do we feel Nina Simone's cr y for equity? Do we feel the author's immigrant positionality in the curre nt US sociopolitical landscape? By centering these questions\, this projec t creates a ritualistic multisensory performance space that critiques hete ronormative capitalist structures and gives the subjugated womanbody the o pportunity to name her existence in her own terms.
DTSTART;TZID=America/Los_Angeles:20260523T200000 DTEND;TZID=America/Los_Angeles:20260524T000000 LAST-MODIFIED:20260513T212347Z SUMMARY:Do You Feel Me? TRANSP:OPAQUE X-ALT-DESC;FMTTYPE=TEXT/HTML:Do You Feel Me? is a musical drame dy about the experience of the womanbody in the patriarchal capit alist society into which she was born and in which she is asked to live. I t is a synthesis of new contemporary text\, excerpts from translated and a dapted ancient Greek tragedy and comedy\, live music\, interactive digital technologies\, human bodies (performers\, spectators) and performance art aesthetics. Could the feminine question that Daphne Brooks listens to in her heroines' Liner Notes for the Revolution (2021) be finally fe lt? “Do you feel me?” Do we feel Antigone's love? Do we feel Cassandra's n eed to be heard? Do we feel Nina Simone's cry for equity? Do we feel the a uthor's immigrant positionality in the current US sociopolitical landscape ? By centering these questions\, this project creates a ritualistic multis ensory performance space that critiques heteronormative capitalist structu res and gives the subjugated womanbody the opportunity to name he r existence in her own terms.
END:VEVENT BEGIN:VEVENT UID:64386362-3230-4536-a530-636337323963 DTSTAMP:20260517T120345Z CLASS:PUBLIC CREATED:20260513T195554Z DESCRIPTION:Do You Feel Me? is a musical dramedy about the experience of the womanbody in the patriarchal capitalist society into which she was bo rn and in which she is asked to live. It is a synthesis of new contemporar y text\, excerpts from translated and adapted ancient Greek tragedy and co medy\, live music\, interactive digital technologies\, human bodies (perfo rmers\, spectators) and performance art aesthetics. Could the feminine que stion that Daphne Brooks listens to in her heroines' Liner Notes for the R evolution (2021) be finally felt? “Do you feel me?” Do we feel Antigone's love? Do we feel Cassandra's need to be heard? Do we feel Nina Simone's cr y for equity? Do we feel the author's immigrant positionality in the curre nt US sociopolitical landscape? By centering these questions\, this projec t creates a ritualistic multisensory performance space that critiques hete ronormative capitalist structures and gives the subjugated womanbody the o pportunity to name her existence in her own terms.
DTSTART;TZID=America/Los_Angeles:20260524T190000 DTEND;TZID=America/Los_Angeles:20260525T000000 LAST-MODIFIED:20260513T212347Z SUMMARY:Do You Feel Me? TRANSP:OPAQUE X-ALT-DESC;FMTTYPE=TEXT/HTML:Do You Feel Me? is a musical drame dy about the experience of the womanbody in the patriarchal capit alist society into which she was born and in which she is asked to live. I t is a synthesis of new contemporary text\, excerpts from translated and a dapted ancient Greek tragedy and comedy\, live music\, interactive digital technologies\, human bodies (performers\, spectators) and performance art aesthetics. Could the feminine question that Daphne Brooks listens to in her heroines' Liner Notes for the Revolution (2021) be finally fe lt? “Do you feel me?” Do we feel Antigone's love? Do we feel Cassandra's n eed to be heard? Do we feel Nina Simone's cry for equity? Do we feel the a uthor's immigrant positionality in the current US sociopolitical landscape ? By centering these questions\, this project creates a ritualistic multis ensory performance space that critiques heteronormative capitalist structu res and gives the subjugated womanbody the opportunity to name he r existence in her own terms.
END:VEVENT END:VCALENDAR