The Society for Seventeenth-Century
Music
Eighth Annual Meeting • America’s Shrine to Music Museum
The University of South Dakota, Vermillion, S.D.
April 27-30, 2000
PROGRAM
Thursday, April 27
Opening Reception, Candle-lit Dinner and
“Virtuoso Baroque Music from Italy, Germany, and Iberia”
David Schulenberg, harpsichords, with Mary Oleskiewicz, flutes
Friday, April 28
ITALIAN AND SPANISH TOPICS
Chair: Colleen Reardon (Binghamton University)
Linda Maria Koldau (Universität Bonn), “Giovanni Antonio Rigatti’s
Messa e salmi, parte concertati (1640) and the Selva morale e spirituale (1640/41)
of Claudio Monteverdi”
Colleen Baade (Lincoln, Nebraska), “Spanish Nun Musicians: Early
Modern Career Girls?”
Louise K. Stein (University of Michigan), “Terpsichore’s Harp
and the Temptation of St. Jerome”: Harps, Gender, Hispanic Music and Society”
Mini-Recital, Susanne Skyrm (University of South Dakota), grand piano by
Manuel Antunes, Lisbon, 1767
INSTRUMENTS
Chair: Jeffery Kite-Powell (Florida State University)
Mary Oleskiewicz (Shrine to Music Museum),
“Reconstructing the Seventeenth-Century Transverse Flute and Its Music”
John Koster (Shrine to Music Museum),
“The Harpsichord in Seventeenth Century France”
Edward L. Kottick (University of Iowa), “The Third Way: Seventeenth-Century
Harpsichord Building Outside of Italy and Flanders”
David Schulenberg (Shrine to Music Museum), “The Instrument and Its
Repertory”
Concert, “Folias Festivas” by BELLADONNA Baroque Quartet (Clea Gaihano,
recorders; Margaret Humphrey, violin; Rebecca Humphrey, ’cello; Barbara
Weiss, harpsichord), including works by Bertali, Cabanilles, Castello, Falconieri,
Marais, Menila, Ortiz, Storace, and others
Saturday, April 29
CLEFFING AND TEMPERAMENT
Chair: Stephen Bonta (Clinton, NY)
Jessie Anne Owens (Brandeis University), “Cleffing in English Music
ca. 1575 1650”
Elisabeth Honn (Oberlin College), “Tuning and Temperament in the
Works of Marin Mersenne”
ENGLISH AND GERMAN TOPICS
Chair: Susan Parisi (Urbana, Iflinois)
Candace Bailey (North Carolina Central University), “‘Unmeasured’
Preludes in England?”
Amanda Eubanks Winkler (University of Michigan), “Sexless Spirits?:
Gender Ideology in Scenes of Magic on the Restoration Stage”
Respondent: Wendy Heller (Princeton University)
Kathryn Welter (Wayland, Massachusetts), “So ist denn dies der Tag:
The Erbhuidigung of Prince Elector Carl Heinrich of Mainz”
Mary E. Frandsen (University of Notre Dame), “The ‘Problem’
of Sacred Music Between Schütz and Bach”
Sunday, April 30
INSTRUMENTS AND THEIR USE
Chair: Lois Rosow (Ohio State University)
David Dolata (Eastern Washington University), “Meantone Temperaments
on the Lute”
Robert A. Green (Northern Illinois University), “Dufaut and the Origins
of the Tombeau”
Stewart Carter (Wake Forest University), “On Instrumentation in the
Early Seventeenth Century: The Case of Christoph Straus”
Stuart Cheney (University of Maryland), “A Newly Discovered Seventeenth-
Century Source of French Hunting Horn Signals”