A SOCIETY DEDICATED TO THE STUDY
AND PERFORMANCE OF 17TH-CENTURY MUSIC
9:00-9:15 Welcome and Opening Announcements
9:15-11:30 French Connections, Lois Rosow (Ohio State University), Chair
Claudia Jensen (Kirkland, WA) and John Powell (University of Tulsa): "'A Mess of Russians Left Us but of Late': Diplomatic Blunder, Literary Satire, and the Muscovite Ambassador's 1668 Visit to Paris Theaters"
Barbara Coeyman (University of Texas, Austin): "Musical Theater in Stockholm 1680-1718: The French Connection"
Susan Harvey (Stanford University): "Parody as a Critical Tool: Condensation and Conflation in Opera Parody from the Ancien Théatre Italien de Gherardi, 1683-1695"
11:30-2:00 Lunch
2:00-3:30 Musical Aesthetics in the Seicento
Linda Maria Koldau (Bonn, Germany): "Experimentalism and Exegesis: Monteverdi's Venetian Church Music"
Andrew Dell'Antonio (University of Texas, Austin): "Hearing the Seconda pratica"
Robert Holzer (Yale University), Session Respondent
3:30-3:45 Break
3:45-5:15 Music for Church and Chapel, Irene Alm (Rutgers University), Chair
John Walter Hill (University of Illinois): "The Music Chapel at the Florence Cathedral in the Second Half of the Seventeenth Century"
Colleen R. Baade (Duke University): "The Role of the Bajón in Spanish Nunneries during the Seventeenth-Century and Its Implications for the Performance of Spanish Church Music"
8:00 p.m. Concert of seventeenth-century concerted church
music performed by the University of Illinois Graduate Chorale
with instrumental
ensemble, Professor Fred Stoltzfus conducting. Smith Recital Hall
9:30-12:00 Queens, Witches, Brides, and Fallen Women: Women in English Music, Robert Shay (Lyon College), Chair
Jonathan P. Wainwright (University of York): "Images of Virtue and War: Music for Queen Henrietta Maria's Chapel"
Amanda Eubanks (University of Michigan): " 'Speak Sister, Speak': Music, Politics, and Gender in the Restoration Revivals of Macbeth"
Raphael Seligmann (Newport News, VA) and Mary Chin (Boston, MA): Lecture-Recital, "Per Musica de Praesenti: Brides, Fallen Women and Vocal Technique in Two Early Seventeenth-Century English Plays"
Linda Austern (Folger Shakespeare Library, Washington, D. C.), Session Respondent
12:00-2:30 Lunch and Business Meeting , Levis Faculty Center
2:30-4:00 Compositional Theory in Seventeenth-Century Italy, Susan Parisi (University of Louisville), Chair
Michael H. Lamla (Blieskastel, Germany): "Musical Books of Patterns in Seventeenth-Century Italy"
Warren Stewart (Stanford University): "The Relationship of Octonary Tonal Theory to Compositional Practice in Northern Italian Sacred Music of the Seventeenth Century"
Robert Kendrick (University of Chicago), Session Respondent
4:00-4:15 Break
4:15-5:00 The Cimbalo cromatico , William Porter (Northwestern University), Chair
Charlotte Mattax (New York, NY): Lecture-Recital, "The Cimbalo cromatico in the Seventeenth Century: Works by Mayone, Trabaci, and Others"
8:30-10:00 Heinrich Schütz and Musical Life in Dresden, Charles Brewer (Florida State University), Chair
Andreas Waczkat (University of Rostock): "Two Parody Masses by Heinrich Schütz?"
Mary E. Frandsen (University of Notre Dame): "Allies in the Cause of Italian Music: Schütz, the Prince, and Musical Politics in Dresden"
Colleen Reardon (SUNY, Binghamton), Session Respondent
10:15-11:45 Instrumental Sonatas and Their Contexts, John Suess (Case Western Reserve University), Chair
Charles Brewer (Florida State University): "Venito, Ocyus Venito! The Context of the Pastorellas by Schmeltzer and Biber"
Cathryn Dew (University of York): Lecture Recital, "From Song to Sounding: The Foundations of the Solo Sonata (1591-1641)"