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Irene
Alm Memorial Prize
| The
Irene Alm Memorial Prize is awarded annually for a scholarly presentation
or lecture-demonstration given by a student at the Society's annual
spring conference. The prize helps subsidize the lodging, conference
registration, and transportation costs for the recipient to attend
the SSCM conference the following year. A prize for the best student
paper was first awarded in 1999. It was named and first given to
honor the memory of Alm at the Society's ninth annual meeting in
April 2001.
Prize-winners
are chosen by the annual program committees. Eligibility is determined
in the autumn screening of all conference proposals. (Those competing
must not have attained a doctoral degree by the deadline for submission
of proposals.) Advance copies of the final presentation may be requested.
At the conference, members of the program committee hear each student's
offering, judging it on delivery, response to questions, and other
aspects of presentation as well as on the importance of the research
itself. The purpose of the prize is to encourage and reward this
essential facet of the musical and academic professions. |

A
founding member of the Society and associate professor of music
at Rutgers University, Irene Alm died after a brief illness on 25
October 2000. Apart from her numerous contributions to the study
of theatrical music in Venice and to dance music in particular,
Professor Alm had served on the SSCM program committee for the 1998
conference in Urbana, Illinois and was to be co-chair of the 2002
conference in Princeton, New Jersey. In naming the prize for her,
the Society honors her dedication to teaching and her active fostering
of graduate students. |
| The
Society invites tax-deductible contributions to the Irene Alm Memorial
Prize Fund, which may be sent to Stefanie Tcharos, Treasurer; Society
for Seventeenth-Century Music, Dept of Music, University of California,
Santa Barbara; Santa Barbara, CA 93106-6070 (USA). The Society is
a §501(c)(3) tax-exempt, not-for-profit organization. Checks
should be made payable to the Society for Seventeenth-Century Music |
|
| Awarded
the SSCM Student Paper Prize |
| 1999 |
Mauro
Calcagno (Ph.D., Yale University, 2000) for "Signifying
Nothing: Debates on the Power of Voice in Seventeenth-Century
Italy" |
| 2000
|
Stuart
Cheney (Ph.D., University of Maryland, College Park,
2002) for "A Newly Discovered Source of French Hunting Horn
Signals, ca. 1666" |
| Awarded
the Irene Alm Memorial Prize |
| 2001
|
Susan
Mina Agrawal (Ph.D., Northwestern University, 2005) for
"The Musical Ayre as Sanguine-Producing Curative in Seventeenth-Century
England" |
| 2002
|
Arne
Spohr (Ph.D., Musikhochschule Köln 2006) for "The
Hamburg Ratsmusik and its Repertoire: Johann Schop's Erster
Theil Newer Paduanen (1633/40)" |
| 2003
|
Jonathan
B. Gibson (Ph.D., Duke University, 2003) for "The
Cries of Nature in Mourning: Temporality and Aesthetics in Marais's
Elegy for Lully" |
2004
2005
2006
2007
|
Paul
Schleuse (Ph.D., The Graduate Center,
City University of New York 2005) for "Monteverdi’s
Operatic Experiments: Finding Orfeo in the Continuo Madrigals
of 1605"
Esther
Criscuola de Laix (Ph.D.
candidate, University of California, Berkeley), “Culture
and Ceremony in the Wedding Motets of Jacob Praetorius”
Valeria De Lucca (Ph.D. candidate, Princeton
University), "Female Patronage in Seventeenth-Century Rome:
The Case for Maria Mancini"
Yael Sela
(St. Hugh's College, Ph.D. candidate, Oxford University),
"Performing the Virgin(al): Women and Domestic Keyboard Music
in Early Modern England"
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| da
capo |
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