“Buxtehude's Organ
Music: Drama without Words,” The Musical Times, 120 (1979),
517-521.
"Dietrich Buxtehude's Studies in Learned Counterpoint," Journal
of the American Musicological Society, 33 (1980), 544-564.
The New Grove Dictionary of Music and Musicians, ed. Stanley
Sadie (London, 1980): major articles on the life and works of Dieterich
Buxtehude, Samuel Scheidt and Johann Hermann Schein; shorter articles
on Christoph Bernhard, Johann Rosenmüller, Barthold Heinrich Brockes,
Erdmann Neumeister, Abendmusik and numerous minor 17th-century
German composers, all also in the 2001 edition. The Buxtehude article
has been reprinted in revised form in The New Grove North European
Baroque Masters (London: Macmillan, 1985), 171-213.
"Buxtehude and Das Jüngste Gericht: A New Look at an Old Problem,"
Festschrift für Bruno Grusnick (Stuttgart: Hänssler,
1981), 128-141.
"Lübecker Abendmusiken," 800 Jahre Musik in Lübeck,
ii (Lübeck: Senat der Hansestadt Lübeck, Amt für Kultur,
1983), 63-70; repr. in Studien zur Musikgeschichte der Hansestadt
Lübeck ("Kieler Schriften zur Musikwissenschaft,"
31; Kassel: Bärenreiter, 1989), 63-71.
"Buxtehude's Organs: Helsingør, Helsingborg, Lübeck,"
The Musical Times, 126 (1985), 365-69, 427-34.
"To Lübeck in the Steps of J.S. Bach," The Musical
Times, 127 (December, 1986), 672-677.
"Bach and Buxtehude at the Large Organ of St. Mary's in Lübeck,"
Charles Brenton Fisk, Organ Builder (Easthampton: The Westfield
Center, 1986), I: 175-189.
Dieterich Buxtehude: The Collected Works, vol. ix (New York:
The Broude Trust, 1987), an edition of eight works for four voices and
instruments.
Dieterich Buxtehude: Organist in Lübeck (New York: Schirmer
Books, 1987; paperback edition 1993).
"Dieterich Buxtehude: His Life and Times," The American
Organist XXI, 5 (May, 1987), 58-62.
"Buxtehude's Vocal Music," The American Organist
XXI, 5 (May, 1987), 63-67.
"Buxtehude, die Lübecker Abendmusiken und 'Wacht! Euch zum
Streit gefasset macht," Jahrbuch Alte Musik, 1 (1989),
153-181.
In Proceedings of the International Buxtehude/Scheidt Festival and
Conference (Saskatoon, 1989): "Buxtehude in Lübeck: The
Social and Historical Context of His Music," pp. 1-8; "From
Sweden to Saskatoon: The Dissemination and Evaluation of Buxtehude's
Music, 1687-1987," pp. 9-17; "Soloists and Capella in the
Vocal Music of Buxtehude," pp. 195-199.
“Musik für den Kenner und den "gemeinen Bürger":
Stilistische Varianten in Buxtehudes Vokalmusik,” in Dietrich
Buxtehude und die europäische Musik seiner Zeit. Bericht über
das Lübecker Symposion 1987 ("Kieler Schriften zur Musikwissenschaft,"
25 (Kassel: Bärenreiter, 1990), 108-122.
"Buxtehude, the Lübeck Abendmusiken, and Wacht! Euch zum
Streit gefasset macht," in Church, Stage, and Studio:
Music in its Contexts in Seventeenth-century Germany, Paul Walker,
ed. (Ann Arbor: UMI Research Press, 1990), 205-230.
Introduction to facsimile edition of Dieterich Buxtehude, VII Suonate
à doi (Utrecht, STIMU, 1991).
"Text and Tone in Hassler's German Songs and their Sacred Parodies,"
in Musical Humanism and Its Legacy: Essays in Honor of Claude V.
Palisca (Stuyvesant, NY: Pendragon, 1992), 253-277.
Editor, The Organist as Scholar: Essays in Memory of Russell Saunders
(Stuyvesant NY: Pendragon Press, 1994).
"Partners in Music-making: Organist and Cantor in 17th-century
Lübeck," in The Organist as Scholar, 233-255.
"Abendmusik," in Die Musik in Geschichte und Gegenwart,
2d. ed., Ludwig Finscher, ed. (Kassel: Bärenreiter, 1994), Sachteil
I, cols. 13-15.
"Bach, Buxtehude, and the Old Choir Library of St. Mary's in Lübeck,"
in Das Frühwerk Johann Sebastian Bachs, Karl Heller and
Hans-Joachim Schulze, eds (Cologne: Studio, 1995), 33-47.
"Life in Venice: Johann Rosenmüller's Vesper Psalms,"
in Relazioni musicali tra Italia e Germania nell'età barocca.Atti
del VI Convegno internazionale sulla musica italiana nei secoli XVII-XVIII,
Alberto Colzani et al., eds. Contributi musicologici del Centro Ricerche
dell'A.M.I.S. - Como, 10 (Como: A.M.I.S., 1997), 171-200.
"Franz Tunder's Stock-Exchange Concerts: Prelude to the Lübeck
Abendmusiken, GOArt Research Reports, 2 (2000), 41-57.
“Franz Tunder,” in The New Grove Dictionary of Music
and Musicians, 2d edition (London: Macmillan, 2001).
Editor, The Organ as a Mirror of its Time: North European Reflections,
1610-2000 (New York: Oxford University press, 2002)
“Organs as Historical and Aesthetic Mirrors,” in The
Organ as a Mirror of its Time, 1-21.
“A New Organ for a New Millenium,” in The Organ as a
Mirror of its Time, 339-46.
“Buxtehude, Schnitger, Bach und die norddeutsche Orgel um 1700,”
in Bach, Lübeck und die norddeutsche Musiktradition: Bericht
über das Internationale Symposion der Musikhochschule Lübeck
April 2000, Wolfgang Sandberger, ed. (Kassel: Bärenreiter, 2002),
101-113.
“The Örgryte Organ as a Work of Musical Scholarship, in The
North German Organ, Joel Speerstra, ed. (Göteborg: GOArt,
2003), 355-61.
“Music For Church and Community: Buxtehude in Lübeck,”
in The World of BaroqueMusic: New Perspectives, George Stauffer,
ed. (Bloomington: Indiana University Press, 2006), 78-104.
The Düben Collection Database Catalogue, ed. with Erik Kjellberg,
http://www.musik.uu.se/duben/Duben.php
(Uppsala: Uppsala University Department of Musicology, 2006).
Dieterich Buxtehude: Organist in Lübeck, rev. ed.(Rochester:
University of Rochester Press, 2007).
Dieterich Buxtehude: Leben, Werk Aufführungspraxis. Hans-Joachim
Schulze, tr. (Kassel: Bärenreiter, 2007).
“Tradition with Variations: Chorale Settings per omnes versus
by Buxtehude and Bach,” in Music and Theology: Essays in Honor
of Robin A. Leaver, Daniel Zager, ed. (Lanham, MD & London:
The Scarecrow Press, 2007), 31-50.
”Beyond Sources and Works: A Fresh Look at Buxtehude’s Legacy,”
forthcoming in The Dissemination of Music in 17th-century Europe.
Celebrating the Düben Collection, Erik Kjellberg, ed.(Peter
Lang Publishing Group).
“Oratorio on Five Afternoons: From the Lübeck Abendmusiken
to Bach’s Christmas Oratorio,” forthcoming in Bach Perspectives
Volume 8: J. S. Bach and the Oratorio Tradition, Daniel Melamed,
ed.(University of Illinois Press).