The Archer and Schütz Society Reports were the newsletter of the American chapter of the International Heinrich Schütz Society, continuously issued as volumes 1-7 from January of 1984 to Spring of 1991. The current chair of the American Heinrich Schütz Society holds archival copies.

The American Schütz Society published one volume of a new newsletter in 1991-92, titled 17th-Century Music (17CM in the index below). Two issues appeared. Beginning in Fall, 1992, 17th-Century Music continued with volume two as the newsletter of the newly-formed Society for Seventeenth-Century Music, which incorporated the American Schütz Society. The current president of SSCM holds archival copies.

---

Index

[Abstracts of papers read at the American Heinrich Schütz Society conference] Cross-Currents between Italian and German Music in the Seventeenth Century, Washington University, St. Louis, MO, 27-28 April 1990, Schütz Society Reports 7/1 (Fall 1990): 10-13 (C.E. Brewer, E. Linfield, M. Ossi, K. Snyder, S. Saunders, J. Suess, P. Walker, C. J. Westendorf, G.D. Zink)

Abstracts of Papers Read at the Annual Conference of the American Heinrich Schütz Society, Eastman School of Music, Rochester, NY, 4-5 May 1991, 17CM 1/1 (Fall 1991): 4-8 (C. Brewer, G. A. Chew, B. Gustafson, J. Kurtzman, E. Linfield, M. Ossi, B. Stein, K. Welter, P. Wollny)

Abstracts of the Joint Meetings: American Heinrich Schütz Society and American Bach Society, Columbia University, New York, New York, 24-26 April 1992, 17CM 2/1 (Fall 1992): 9-13 (G. G. Butler, M. E. Frandsen, E. Kjellberg, R.A. Leaver, E. Linfield, D. R. Melamed, K. Nott, S. Saunders, R. Stinson, J. Swack)

Mary Paquette Abt, "Marenzio in Cambridge," 17CM 16/1 (Fall 2006): 6.
--------, "Orfeo (and More) in Toronto: SSCM 2006," 17CM 16/1 (Fall 2006): 1, 8-9.

Olga Ackerly, see Olga Dolskaya-Ackerly.

Rebekah Ahrendt, "Graduate Student Concerns and SSCM," 17CM 18/1 (Fall 2008): 9.

AHSS (American Heinrich Schütz Society), see under International Heinrich Schütz Society, American Chapter

J. Michael Allsen, "Oriana on the Shores of Lake Mendota," 17CM 11/1 (Fall 2001): 9.

Linda Austern, Barbara Coeyman, Jeffrey Kurtzman, and Eva Linfield, "The Durham Conference on Baroque Music, Four Views," 17CM 2/1 (Fall 1992): 1-9.

Richard Lee Austin, "Repairs Begun on Seventeenth-Century Organ in Virginia," 17CM 12/1 (Fall 2002): 9-10.

Colleen Baade, "FIMTE 2002: Sun, Sand and Symposium," 17CM 12/2 (Spring 2003): 13.

Claudio Bacciagaluppi, "Sacred Music in the Habsburg Empire, 1619-1740 and Its Contexts," 17CM 19/2 (Spring 2010): 6.

Antonia L. Banducci and Rebecca Harris-Warrick, "Lully Opera Highlighted at 2007 Boston Early Music Festival," 17CM 17/1 (Fall 2007): 12, 14.

Gregory Barnett, "Music and the Sacred in Brescia, 2003," [A.M.I.S. conference], 17CM 13/2(Spring 2004): 10-11.
--------, "H-Town Here We Come: SSCM 2010 at Rice University," 17CM 19/1 (Fall 2009): 1, 13.

Elisabeth Belgrano, "New Recording of Baroque Music [Eclatante Amarante]," 17CM 14/2 (Spring 2005): 14.

Charles Brewer, "The Songs of Biber's Birds," 17CM 3/1 (Fall 1993): 1, 6-11.

Amy Brosius, "Conference Report: Early Modern Rome, 1341-1667," 17CM 20/1 (Fall 2010): 7.

Jennifer Williams Brown, "The 'Camerata di Urbana': Early Opera and Monody in Illinois," 17CM 10/2 (Spring 2001): 1
--------, "Cavalli at 400: A Birthday Celebration in Naples," 17CM 13/1 (Fall 2003): 12-13.
--------, "In memoriam: Thomas Walker (1936-1995), 17CM 5/2 (Spring 1996): 2-3.
--------, "The Pleasures of the Enchanted City" (review of BEMF 2001), 17CM 11/1 (Fall 2001): 3.
--------. "Notre Dame Polyphony: SSCM Conference 2007," 17CM 17/1 (Fall 2007):1, 5, 14.

Geoffrey Burgess, "Rochester in April: A Report on the 2009 Conference," 17CM 19/1 (2009), 4-5.
--------, "In memoriam Bruce Haynes," 17CM 21/1 (2011): 4.

Mauro Calcagno, "2010 Irene Alm Memorial Prize Winner," 17CM 20/1 (Fall 2010): 5.
--------, "Spring in Winston-Salem: The Eleventh Annual Conference at Wake Forest University," 17CM 13/1 (Fall 2003): 1, 10.
-------- and Ellen Rosand, "Eliogabalo in Brussels," 17CM 14/1 (Fall 2004): 11-12.

Tim Carter, "Baroque Biennial Crosses the Bay of Biscay,"  17CM 12/1 (Fall 2002): 4.
--------, "Fifth Annual Conference of the Society for Seventeenth-Century Music, Florida State University, Tallahassee, FL, 10-13 April 1997,"  17CM 7/1 (Fall 1997): 1-3.
-------- and Jonathan Glixon, "Fourteenth Biennial International Conference on Baroque Music, Queen's University, Belfast," 17CM 20/1 (Fall 2010): 8.

Lisa Chensvold, "Duke University Symposium Honors Silbiger," 17CM 12/1 (Fall 2002): 5, 13.

Francesca Chierici, "Feste di Apollo: A Musical Extravaganza in Parma. Report 2 'Il Barocco fra musica e parole'," (April-May 2005), 17CM 15/1 (Fall 2005): 13-14.

Barbara Coeyman, "The French Connection: Return to Delalande and the Centre de Musique Baroque de Versailles," Schütz Society Reports 7/2 (Spring 1991): 6-7.
--------, Linda Austern, Jeffrey Kurtzman, and Eva Linfield, "The Durham Conference on Baroque Music, Four Views,"  17CM 2/1 (Fall 1992): 1-9.

Concert Reports

Cavalli, Eliogabalo. Staller Center for the Arts, Stony Brook, 9-11 April 2010, reviewed by Carlo Lanfossi, 17CM 20/1 (Fall 2010): 17.
--------. Theatre La Monnaie, Brussels, reviewed by Mauro Calcagno and Ellen Rosand, 17CM 14/1 (Fall 2004): 11-12.
--------. Wheeler Opera House, Aspen, Colorado, reviewed by Margaret Murata, 17CM 17/1 (Fall 2007); 13-14.

Cavalli, Il novello Giasone, Festival della Valle d'Itria, Martina Franca, Italy, reviewed by Valeria De Lucca, 17CM 21/1 (Fall 2011): 19.

Celestial Sirens: Women and Music in Seventeenth-Century Italy, San Francisco, California, 15-16 November 2002, reviewed by Michael Markham, 17CM 12/2 (Spring 2003): 11.

Charpentier, David et Jonathas (1688). Ignoti Dei Opera, August 2005, reviewed by JoAnn Udovich, "Charpentier in Baltimore," 17CM 15/2 (Spring 2006): 13.

Duke University, 12 Nov. 2000, see Giuseppe Gerbino.

Leardini, Psiche, New York Continuo Collective, NYC, 9-10 May 2005, reviewed by Paul Schleuse, 17CM 15/1 (Fall 2005): 15.

Lully, Armide, Opera Lafayette, Washington, D.C., 3 February 2007, reviewed by Lois Rosow, 17CM 17/1 (Fall 2007): 13.

"Quel mirabile sentire," Lia Serafini, soprano; Marina Bonetti, Baroque harp, Polverara, Italy; September 2008, reviewed by Margaret Murata, 17CM 18/2  (Fall 2008): 12.

Stradella, Or ch'a la dea notturna. Newcastle Conservatorium Concert Hall, various artists; Newcastle N.S.W., Australia, 4 August 2005, reviewed by Rosalind Halton, 17CM 15/1 (Fall 2005): 15-16.

Conference reports, alphabetical by conference

AHSS 1990, see Abstracts
AHSS 1991, see Abstracts
AHSS 1992, see Abstracts

American Musicological Society,
      Columbus, Ohio, 31 October-3 November 2002, reviewed by Nina Treadwell,
      17CM 12/2 (Spring 2002): 1, 11- 12.

     Seattle, Washington, 10-14 November 2004, reviewed by Alex Fisher,
     17CM 14/2 (Spring 2005): 1, 7.

     Washington, D.C., 27-30 October 2005, reviewed by Sarah Williams,
     17CM 15/2 (Spring 2006): 1, 8.

     Los Angeles, CA, 2-5 November 2006, reviewed by Esther Criscuola de Laix,
     17CM 16/2 (Spring 2006): 1, 10.

     Québec City, Canada, 1-4 November 2007, reviewed by Virginia Christy Lamothe,
     17CM 17/2 (Spring 2007): 1, 10.

     Nashville, TN, 6-9 November 2008, reviewed by Kimberlyn Montford, 17CM 18/2
     (Spring 2009): 1,11.

     Philadelphia, PA, 12-15 November 2009, reviewed by Andrew H. Weaver, 17CM      19/2 (Spring 2010): 1, 12-13.

     Indianapolis, IN, 4-7 November 2010, reviewed by Brian Oberlander, 17CM 20/2        (2010): 1,16.

Antiquae Musicae Italicae Studiosi conference, Como, Italy, 16-18 July 2001, reviewed by Robert L. Kendrick, 17CM 11/1 (Fall 2001): 7.

Austin-Southampton Early Music Exchange Symposium, University of Texas, Austin, TX, 2-7 April 2001, reviewed by Andrew dell'Antonio,  17CM 11/1 (Fall 2001): 8.

Beyond Opera: Staging Theatricality, Stony Brook University, 22-24 April 2010, reviewed by Thomas Lin, 17CM 20/1 (Fall 2010): 11, 16.

Biennial Baroque Conference

Durham, England 1992, reviewed by Linda Austern, Barbara Coeyman, Jeffrey Kurtzman, and Eva Linfield, 17CM 2/1 (Fall 1992): 1-9.

Edinburgh, Scotland 1994, reviewed by Robert R. Holzer,17CM 4/1 (Fall 1994): 4-6.

University of Birmingham, Birmingham, England, 1996, reviewed by Anne MacNeil, 17CM 6/2 (Fall 1996): 1, 3-5.

Trinity College, Dublin, 2000, reviewed by Beth L. Glixon, 17CM 10/1 (Fall 2000): 3.

University of La Rioja, Logroño, Spain, 18-21 July 2002, reviewed by Tim Carter,  17CM 12/1 (Fall 2002): 4.

Royal Northern College of Music, Manchester, England, 14-18 July 2004, reviewed by Kathryn Lowerre, 17CM 14/1 (Fall 2004): 9-10.

University of Warsaw, Warsaw, Poland, 26-30 July 2006, reviewed by Valeria De Lucca, 17CM 16/1 (Fall 2006): 1, 8-9.

University of Leeds, England, July 2008, reviewed by Don Fader, Catherine Gordon-Seifert, Gesa Kordes, 17CM 18/1 (Fall 2008): 6-7, 13.

Queen's University, Belfast, 30 June to 4 July 2010, reviewed by Tim Carter and Jonathan Glixon, 17CM 20/1 (Fall 2010): 8.

[Brossard] Sébastian de Brossard, Musician, Centre de Musique Baroque de Versailles, 14-16 June 1995, reviewed by Rebecca Harris-Warrick, 17CM 5/1 (Fall 1995): 6-7.

[Campra]. André Campra Colloque International 2010, Aix-en-Provence and Versailles, France, 7-10 October 2010, reviewed by John Hajdu Heyer, 17CM 20/2 (2010): 4.

[Carissimi] Musical Works of Gaicomo Carissimi: Sources, Cataloging, Attributions, Rome, Italy, 18-19 November 2005, reviewed by Beverly Stein,  17CM 15/2 (Spring 2006): 10-11.

[Cavalli] Dissemination of 17th-Century Venetian Opera: In Honor of the 400th anniversary of the Birth of Francesco Cavalli, Naples, Italy, 3-5 October 2002, reviewed by Jennifer Williams Brown, 17CM 13/1 (Fall 2003): 12-13.

[Cavalli] Manuscripts, Editions, Productions: Reading Cavalli's Operas for the Stage, reviewed by Eva Linfield, 17CM 19/1 (Fall 2009): 9, [16].

Celestial Sirens: Women and Music in Seventeenth-Century Italy, San Francisco, California, 15-16 November 2002, reviewed by Michael Markham, 17CM 12/2 (Spring 2003): 11.

Charpentier and His World, Birmingham Conservatory, Birmingham, England, 2004; reviewed by Théodora Psychoyou, 17CM 14/1 (Fall 2004): 8-9.

Con la mente e con le mani: Teaching and Learning the Art of Counterpoint on the Keyboard (1558-1671), Smarano and Trent, Italy, 18-20 November 2010, reviewed by Michael Dodds, 17CM 20/2 (2010): 5, 17.

Culture and Authority in the Baroque, William Andrews Clark Memorial Library, Los Angeles, California, 6-7 October 2000, reviewed by Giulio M. Ongaro, 17CM 10/2 (Spring 2001): 6;
23-24 February 2001 reviewed by Margaret Murata, 17CM 11/1 (Fall 2001): 7, 9; 4-5 May 2001, reviewed by Andrew dell'Antonio, 17CM 11/2 (Spring 2002): 4.

[Dance]. Morgenröte des Barock: Tanz im 17. Jahrhundert, Burg Rothenfels am Main, 9-13 June 2004, reviewed by Carol Marsh, 17CM 14/1 (Fall 2004): 7-8.

[Dance]. Society of Dance History Scholars, 26-29 June 2003, Limerick, Ireland, reviewed by Katherine Tucker McGinnis, 17CM 13/1 (Fall 2003): 15-16.

Stefano Della Bella/ Seventeenth-Century Baroque Festival, University of Richmond, Richmond, VA, 16-17 April 2001, reviewed by Alexander Silbiger, 17CM 11/1 (Fall 2001): 6.

Early Modern Rome, 1341-1667, Rome, University of California Rome Study Center and Istituto Storico Italiano per il Medioevo, 13-15 May 2010, reviewed by Amy Brosius, 17CM 20/1 (Fall 2010): 7.

John Eccles and His Contemporaries, Florida State University, Tallahassee, FL, 24-27 February 2005, reviewed by Anthony Rooley, 17CM 15/1 (Fall 2005): 11-12.

Eros and Euterpe: Music and Eroticism in the Sixteenth and Seventeenth Centuries, Indiana University, 7 February 2004, reviewed by Randy Goldberg, 17CM 14/1 (Fall 2004): 5-6.

European Sacred Music, 1550-1800: New Approaches,Fribourg, Switzerland, 9-12 June 2010, reviewed by Jeffrey Kurtzman, 17CM 20/1 (Fall 2010): 9.

Feminist Theory and Music II: A Continuing Dialogue, Eastman School of Music, Rochester, NY, 17-20 June 1993, reviewed by Claire Fontijn, 17CM 2/2 (Spring 1993): 3-5.

Frühe Neuzeit Interdisziplinär, Duke University, 20-22 April 1995, reviewed by Steven Saunders, 17CM 5/1 (Fall 1995): 1, 5-6.

Historical Evensong Conference, St. Mark's on-the-Campus, Lincoln, Nebraska, 13 October 2001, reviewed by Richard Quinn, 17CM 11/2 (Spring 2002): 13.

Historical Keyboard Music: Sources, Context, and Performance,1-3 July 2011, Edinburgh, reviewed by Janet Pollack, 17CM 21/1 (2011): 11, 19.

[Homer] Performing Homer: from Epic to Opera, Princeton University, 9-10 Jan. 2009, reviewed by Aliyah Shanti, 17CM 18/2 (Spring 2009): 12-13.

In armonia favellare, University of Illinois at Urbana-Champaign, 5-8 October 2000, reviewed by Jennifer Williams Brown, 17CM 10/2 (Spring 2001): 1.

International Musicological Society,
      XVIIth Congress, Leuven, Belgium, 1-7 August 2002, reviewed by Jeffrey Kurtzman,17CM 12/1 (Fall 2002) 1, 10- 11.
      XVIIIth Congress, Zurich, Switzerland, 10-15 July 2007, reviewed by Georgia Cowart, Michael Klaper, Margaret Murata,  17CM 17/1 (Fall 2007): 6, 11.

International Heinrich-Schütz Gesellschaft, see under Festivals

The Jesuits II: Cultures, Sciences, and the Arts, Boston College, Chestnut Hill, Mass., 5-9 June 2002, reviewed by T. Frank Kennedy, 17CM 12/1 (Fall 2002): 4-5.

[Mazzocchi, Domenico and Virgilio] Musica e Teatro nella Roma del Seicento, Rome, 9-10 December 2000, reviewed by Margaret Murata, 17CM 10/2 Spring 2001: 5.

[Marenzio] Music, Poetry, and Patronage in Late Renaissance Italy: Luca Marenzio and the Madrigal, Harvard University, Cambridge, MA, 7-8 April 2006, reviewed by Mary Paquette-Abt, 17CM 16/1 (Fall 2006): 6.

Medieval and Renaissance Conference, Spoleto, Italy, 26-29 July 2001, reviewed by Noel O'Regan,  17CM 11/1 (Fall 2001): 6.

La monodia in Toscana alle soglie del secolo XVII, Pisa, Italy, 17-18 December 2004, 17CM 14/2 (Spring 2005): 10.

[Monteverdi] Claudio Monteverdi: Studi e Prospettive, Mantua, 21-24 October 1993 reviewed by Margaret Murata,  17CM 3/2 (Spring 1994): 7-9.

Monteverdi un seine Folgen, Detmold, Germany, 20-29 November 1993, reviewed by Eva Linfield, 17CM 3/2 Spring 1994: 9-11.

Music and Liturgical Reform, 1611 to the Present, Valencia (University of Valencia), June 29-July 2, 2011, reviewed by Greta Olson, 17CM 21/1 (2011): 10.

Music and Melancholy, Princeton University, Princeton, New Jersey, reviewed by Maria Purciello, 17CM 12/2 (Spring 2003): 6-7.

Music in the Mirror: Reflections on the History of Music Theory and Literature for the 21st Century, reviewed by John Walter Hill, 17CM 10/1 (Fall 2000): 2.

Musica a Roma nel Seicento, École française de Rome, Rome, 3-4 June 2010, reviewed by Margaret Murata, 17CM 20/1 (Fall 2010): 10, 19

Musica e drammaturgia a Roma al tempo di Carissimi, conference as part of the Feste di Apollo, Parma, 26-27 April 2005; reviewed by Michael Klaper, 17CM 15/1 (Fall 2005): 13.

Música y músicos en instituciones eclesiásticas. Andalucía en la edad moderna, Baeza, Spain, 7-9 December 2006; reviewed by John Griffiths in 17CM 16/2 (Spring 2006): 8.

Musik und Identität, Weimar, 16-21 September 2004, reviewed by Eva Linfield, 17CM 14/2 (Spring 2005): 9.

Networks of Keyboard Music ca. 1600: Focus on Jan Pieterszoon Sweelink and Peter Philips, McGill University (Montreal) and University of Aberdeen, Scotland, 11-13 Feb. and 1-4 March 2011,
reviewed by David Schulenberg and Arne Spohr, 17CM 21/1 (2011): 6-7.

North American British Music Studies Association, St. Michael's College, Colchester, VT, 3-5 August 2006, reviewed by Christine Kyprianides and Amanda Eubanks Winkler, 17CM 16/1 (Fall 2006): 6.

North American Society for Seventeenth-Century French Literature, Arizona State University, [Tempe?], AZ, 2-5 May 2001, reviewed by Margot Martin, 17CM 11/2 (Spring 2002): 4.

Palace Culture in Renaissance and Baroque Rome (NEH Seminar, Summer 1998), reviewed by Stephen Shearon, 17CM 8/1 (Fall 1998): 2, 7-8.

[Pamphili]. The Pamphilij and the Arts: Patronage and Consumption in Baroque Rome, reviewed by Eleanor McCrickard, 17CM 20/2 (2011): 1, 17.

Passaggio in Italia: Music of the Grand Tour in 17th-Century Italy, STIMU (Stichting Muziekhistorische Uitvoeringspraktijk), Utrecht, The Netherlands, 24-26 August 2006, reviewed by Hendrik Schulze in 17CM 16/2 (Spring 2006): 1, 9-10.

Rome, the Eternal City, German Historical Institute in Rome, 28-30 September 2004, reviewed by Lowell Lindgren and Noel O'Regan,  17CM 14/2 (Spring 2005): 10-12.

[Rospigliosi,Giulio] Giulio Rospigliosi, Pistoia, Italy, 21-22 September 2000, reviewed by Jean Grundy Fanelli, 17CM 10/2 (Spring 2001): 11-12.

Sacred Music in the Habsburg Empire, 1619-1740 and Its Contexts, Middelburg, The Netherlands, 5-8 November 2009, reviewed by Claudio Bacciagaluppi, 17CM 19/2 (Spring 2010): 6.

[Scheidt] From Scheidt to Buxtehude, Wellesley College, Wellesley, Massachusetts and the Westfield Center for early Keyboard Studies, 14-17 June 1987, reviewed by J. Michele Edwards, The Archer 5/1 (Spring/Summer 1988): 1, 5.

[Scheidt] Samuel Scheidt—Werk und Wirkung, Halle/Saale, November 2004, reviewed by Andreas Waczat, 17CM 14/2 (Spring 2005): 12.

Singing Music from 1500 to 1900, University of York, York, England, July 2009, reviewed by Catherine Gordon-Seifert, 17CM 19/1 Fall (2009): 8.

Sixteenth-Century Studies Conference, University of San Antonio, San Antonio Texas, 24-27 October 2002, reviewed by Kimberlyn Montford, 17CM 12/2 (Spring 2003): 6.

SSCM 1997, reviewed by Tim Carter, 17CM 7/1 (Fall 1997): 1-3.
SSCM 2000, reviewed by William V. Porter, 17CM 10/1 (Fall 2000): 1-2.
SSCM 2001, reviewed by Amanda Eubanks Winkler, 17CM 11/1 (Fall 2001): 1-2.
SSCM 2002, reviewed by Catherine Gordon-Seifert, 17CM 12/1 (Fall 2002): 1, 8-9.
SSCM 2003, reviewed by Mauro Calcagno, 17CM, 13/1 (Fall 2003): 1, 10.
SSCM 2004, reviewed by Stephen Miller, 17CM 14/1 (Fall 2004): 1, 5-7
SSCM 2005, reviewed by Rose Pruiksma, 17CM 15/1 (Fall 2005): 1, 10-11.
SSCM 2006, reviewed by Mary Paquette-Abt, 17CM 16/1 (Fall 2006): 1, 8-9.
SSCM 2007, reviewed by Jennifer Williams Brown,  17CM 17/1 (Fall 2007):1, 5, 14.
SSCM 2008, reviewed by Amanda Eubanks Winkler, 17CM 18/1 (Fall 2008): 1, 8.
SSCM 2009, reviewed by Geoffrey Burgess, 17CM 19/1 (Fall 2009), 4-5.
SSCM 2010, reviewed by Roger Freitas, 17CM 20/1 (Fall 2010): 3, 18-19.
SSCM 2011, reviewed by Emily Wilbourne, 17CM 21/1 (Fall 2011): 13.

[Società Italiana di Musicologia], Lecce, Italy, 22-24 October 2004, reviewed by Jutta Toelle, 17CM 14/2 (Spring 2005): 10.

 

Festival Reports, alphabetical by festival

Boston Early Music Festival
     June 2001, reviewed by Jennifer Williams Brown, Alex Fisher, and Kathryn Welter, 17CM 11/1 (Fall 2001): 3-4
     June 2003, reviewed by JoAnn Udovich,  17CM 13/1 (Fall 2003): 15-17.
     June 2005, reviewed by David Schrader, 17CM 15/1 (Fall 2005): 8-10.
     June 2007, reviewed by Antonia L. Banducci and Rebeccca Harris-Warrick, 17CM 17/1 (Fall 2007): 12, 14.
     June 2009, reviewed by Brent Wissick, 17CM 19/1 (Fall 2009), 10.
      June 2011, reviewed by Colin Timms, 17CM 21/1 (Fall 2011): 5.

[Delalande] Journées Delalande, Centre de Musique Baroque de Versailles, Versailles, 14-16 September 1990 reviewed by Barbara Coeyman, Schütz Society Reports 7/2 (Spring 1991): 6-7.

Feste di Apollo, Parma, April-May 2005, reviewed by Francesca Chierici, 17CM 15/1 (Fall 2005): 13-14.

Festival de Música Internacional de Tecla Española (FIMTE), Mojácar, 11- 14 October 2002, reviewed by Colleen Baade, 17CM 12/2 (Spring 2003): 13.

Festwochen der alten Musik, Innsbruck, 2001, reviewed by Robert L. Kendrick,  17CM 11/1 (Fall 2001): 8.

Holland Festival, 24 August-3 September 2006, see Murata, Margaret.

Indianapolis Early Music Festival, summer 2001, reviewed by Frederick Tarrant,  17CM 11/1 (Fall 2001): 13.

International Heinrich-Schütz-Fest (biennial)
     Landau, Pfalz, 28 April-7 May 1989, reviewed by Eva Linfield, Schütz Society Reports 6/1 (Fall 1989): 3-4.
     Flensberg, 18-21 September 1998, reviewed by Mary E. Frandsen, 17CM 7/2 (Spring 1998): 1, 6-7.
     Malmö, Sweden, 4-7 October 2001, reviewed by Hans Kuhn, 17CM 11/2 (Spring 2002): 2, 12.
     Bremen, 9-12 October 2003, reviewed by Mary E. Frandsen, 17CM 13/1 (Spring 2004): 9-10.
     Greifswald, 9-12 September 2004, reviewed by Eva Linfield, Lani Johnson, Fred Gable, 17CM 14/2 (Spring 2005): 8-9, 13
     Bad Köstriz, Germany, 6-9 October 2005, "Heinrich Schütz and Leipzig," reviewed by Lani Johnson, 17CM 15/2 (Spring 2006): 8-10.
     Hamburg, 25-28 October 2007, "40th International Schütz Festival Celebrates Music in Hamburg," reviewed by Gregory S. Johnston, 17CM 17/2 (Spring 2007): 1, 8.
     Breslau/Wroclaw, 1-4 October 2009, reviewed by Gregory S. Johnston, 17CM 19/2 (Spring 2010): 7.
     Kassel, 28 October-3 November 2010, "Heinrich Schütz und Europa," reviewed by Gregory Johnston, 17CM 20/2 (2010): 9,

Madison Early Music Festival, University of Wisconsin, July 2001, reviewed by J. Michael Allsen, 17CM 11/1 (Fall 2001): 9.

Third Festival of Women Composers, Indiana University of Pennsylvania, 23-27 March 1993, reviewed by Claire Fontijn, 17CM 3/1 (Spring 1993): 3-5.

 

Alex Fisher, "A Cross-Cultural Efflorescence: the Plum Blossom and Fleur-de-Lis" (review of BEMF 2001), 17CM 11/1 (Fall 2001): 4.
--------, "17th-Century Music in the Emerald City," 17CM 14/2 (Spring 2005): 1, 7.

Claire Fontijn-Harris, "Saint Olon, Mademoiselle de," 17CM 11/1 (Fall 2001): 15-16.
--------, "'Third Festival of Women Composers' and 'Feminist Theory and Music II': A Continuing Dialogue," 17CM 3/1 (Spring 1993): 3-5.

Mary E. Frandsen, "Bandini, Bandino (fl. 1643-1654)," 17CM 13/2 (Spring 2004): 16.
--------, "Schütz Bibliography, 1977-1989," Schütz Society Reports 6/1 (Fall 1989): 5-6; 6/2 (Spring 1990): 5-10; 7/1 (Fall 1990): 7.
--------, "Spring in South Bend: SSCM 2007 in Notre Dame," 17CM 16/1 (Fall 2007): 3.
-------- , "35th Annual International Schütz Festival, Flensburg, Germany," 17CM 7/2 (Spring 1998): 1, 6-7.
--------, "39th International Heinrich Schütz Festival: 'Wege zu Heinrich Schütz'," Bremen, 9-12 October 2003, 17CM 13/1 (Spring 2004): 9-10.

Roger Freitas, "Wisdom among the Owls: A Report on the 2010 Conference at Rice University," 17CM 20/1 (Fall 2010): 3, 18-19.

Rebecca L. Gerber, review of Cori spezzati by Anthony F. Carver, 2 vols. (Cambridge: Cambridge University Press, 1988), Schütz Society Reports 7/ 2 (Spring 1991): 4-5.

Giuseppe Gerbino, "Music for a Dissertation Defense," 17CM 10/2 (Spring 2001): 11.

Beth L. Glixon, "Celebrating the Baroque, Bach,and Bastille Day in Dublin," 17CM 10/1 (Fall 2000): 3.

Jonathan Glixon and Tim Carter, "Fourteenth Biennial International Conference on Baroque Music, Queen's University, Belfast, " 17CM 20/1 (Fall 2010): 8.

Randy Goldberg, "Eros and Euterpe: Music and Eroticism in the Sixteenth and Seventeenth Centuries," 17CM 14/1 (Fall 2004): 5-6.

Catherine Gordon-Seifert, "'A Venetian Extravaganza': The Tenth Annual Conference at Princeton University," 17CM 12/1 (Fall 2002): 1, 8-9.
--------, Don Fader, and Gesa Kordes, Report on the "13th Biennial International Conference on Baroque Music," University of Leeds, England, July 2008, 17CM 18/1 (Fall 2008): 6-7, 13.
--------, Report on the conference "Singing Music from 1500 to 1900," University of York, York, England, July 2009, 17CM 19/1 Fall (2009): 8.

John Griffiths, "Exploring Sacred Music in Iberia, the Old and new Spain" in 17CM 16/2 (Spring 2006): 8.

Laurent Guillo and Théodora Psychoyou, "Brion, Antoine," 17CM 13/1 (Fall 2003): 20.

Bruce Gustafson, "New Maria Edition,"  17CM 14/2 (Spring 2005): 14.

John Hajdu Heyer, "André Campra Colloque International 2010, Aix-en-Provence and Versailles, France, October 7-10, 2010," 17CM 20/2 (2010): 4.

Rosalind Halton, "New Scarlatti Edition: Hor che gradit[i] horrori, cantata for soprano and continuo. Hanley 514," 17CM 14/1 (Fall 2004): 12-13.
--------, "Stradella Serenata in Newcastle, Australia," 17CM 15/1 (Fall 2005): 15-16.

Virginia Hancock, "Johannes Brahms and the Music of Schütz," The Archer 4 (Spring/Summer 1987): 1, 4.

Barbara Russano Hanning, "Claude V. Palisca (1921-2001): An Appreciation," 17CM 11/1 (Fall 2001): 11-12.
--------, "'Manhattan' for SSCM 2012,"17CM 21/1 (Fall 2011): 1-12

Kelley Harness, "Toward the Star of the North: SSCM 2011 at the University of Minnesota," 17CM 20/1 (Fall 2010): 1, 19.

Rebecca Harris-Warrick and Antonia L. Banducci, "Lully Opera Highlighted at 2007 Boston Early Music Festival," 17CM 17/1 (Fall 2007): 12, 14.
--------, "New Study on the Grotesque in Dance," 17CM 14/2 (Spring 2005): 13.
--------, "'Sébastian de Brossard, Musician,' Centre de Musique Baroque de Versailles, 14-16 June 1995," 17CM 5/1 (Fall 1995): 6-7.
--------, "'Voyage au coeur du baroque': Versailles Performances Focus on Music of Bourbon Kings," 17CM 17/2 (Spring 2008): 9.

Robert Haskins, review of Musica sacra, laudi, travestimenti e madrigali spirituali nell'oratorio di S. Filippo Neri (1515-1596) recorded by Progetto Musica; Giulio Monaco, dir.; on Tactus TC 520001, 17CM 5/2 (Spring 1996): 1, 6-9.
--------, review of Violes esgales, recorded by Les Voix Humaines on CBC Records MVCD 1082;  17CM 5/2 (Spring 1996): 1, 9-10.

Wendy Heller, "Irene Alm In memoriam ( 4 March 1956-25 October 2000), 17CM 10/2 (Spring 2000): 2-3.

Matthias Herrman, "The Dresdner Kreuzchor and Heinrich Schütz," The Archer 3/1 (Spring/Summer 1986): 4-6.

John Hajdu Heyer, "2011 Irene Alm Memorial Prize Winner" [Matt Henson], 17CM 21/1 (Fall 2011): 4.

John Walter Hill, "Reflecting on Theory in Indiana," 17CM 10/1 (Fall 2000): 2.

Robert R. Holzer, "Edinburgh, 7-10 July 1994--Sixth Biennial Conference on Baroque Music," 17CM 4/1 (Fall 1994): 4-6.

International Heinrich Schütz Society, American Chapter (AHSS), "Articles of Association of the American Chapter of the International Heinrich Schütz Society," The Archer 6/1 (1990): 4.

Lani Johnson, "Mitteldeutsche Heinrich-Schütz-Tage and Internationale Heinrich-Schütz-Gesellschaft: "Heinrich Schütz and Leipzig," 6-9 October 2005, Bad Köstriz, Germany" in 17CM 15/2 (Spring 2006): 8-10.

Gregory S. Johnston, "40th International Schütz Festival Celebrates Music in Hamburg,"  17CM 17/2 (Spring 2007): 1, 8.
--------, "Heinrich Schütz Tage--Breslau/Wroclaw 2009," 17CM 19/2 (Spring 2010): 7.
--------, "Lower Silesia to Host 2009 Heinrich Schütz Festival," 17CM 18/2 (Spring 2009): 15.
--------, "Heinrich Schütz und Europa,Kasselm October 28-November 3 2010," 17CM 20/2 (2010): 9.

Robert L. Kendrick, "Performance Rarities--Opera & Oratorio," 17CM 11/1 (Fall 2001): 8.
--------, "The State of the Arts(s) in North Italian Sacred Music,"  17CM 11/1 (Fall 2001): 7.
--------, "Historiographic Perspectives in Rome" [Recercare conference 27 Nov. 2003], 17CM 13/2(Spring 2004): 11.

T. Frank Kennedy, "Seventeenth-Century Music at Jesuits II," 17CM 12/1 (Fall 2002): 4-5.

Michael Klaper, "Feste di Apollo: A Musical Extravaganza in Parma. Report 1 Parma, 26-27 April 2005: Internazionale Tagung 'Musica e drammaturgia a Roma al tempo di Carissimi'," 17CM 15/1 (Fall 2005): 13.
--------, "Letter from Europe," 17CM 20/1 (Fall 2010): 6.
--------, "Letter from Europe," 17CM 21/1 (Fall 2011): 3
--------, Georgia Cowart, Margaret Murata, "Seventeenth-Century Music from Puebla to Warsaw at Zurich IMS Congress,"  17CM 17/1 (Fall 2007): 6, 11.

Nola Reed Knouse, "Moravian Music and Its Preservation at Winston-Salem," 17CM 12/2 (Spring 2003): 10.

Gesa Kordes, Don Fader, and Catherine Gordon-Seifert, Report on the "13th Biennial International Conference on Baroque Music," University of Leeds, England, July 2008, 17CM 18/1 (Fall 2008): 6-7, 13.

Hans Kuhn, "Schütz-Fest in Sweden," 17CM 11/2 (Spring 2002): 2, 12.

Jeffrey Kurtzman, Linda Austern, Barbara Coeyman, and Eva Linfield, "The Durham Conference on Baroque Music, Four Views,"  17CM 2/1 (Fall 1992): 1-9.
--------, "European Sacred Music, 1550-1800: New Approaches, Fribourg, Switzerland," 17CM 20/1 (Fall 2010): 9.
--------, "IMS 2002: Impressions of a Whirlwind, Fragments of a Marathon," 17CM 12/1 (Fall 2002) 1, 10- 11.
--------, "Sicut erat in principio: Recollections of the Society's Origins," 17CM 12/2 (Spring 2003): 1, 14-16.
--------. [Tribute to Kerala Snyder].  17CM 17/1 (Fall 2007): 1, 7.
--------. "Rice University announces New Collection of Seventeent-Century Research Materials,"  17CM 17/1 (Fall 2007): 2-3

Christine Kyprianides and Amanda Eubanks Winkler, "From Courtly Dances to Mad Songs: British Music in Vermont," 17CM 16/1 (Fall 2006): 6.

Peter Laki, "Schütz's Italian Madrigals and the Italian Madrigal of His Time," The Archer 4 (Spring/Summer 1987): 2-3.
--------, translator; see Steinbeck, Wolfram

Virginia Christy Lamothe, "AMS 2007 Gives Voice to Cleopatra, Hercules, Las Descalzas, and Lutherans," 17CM 17/2 (Spring 2007): 1, 10.

Peter Leech, "Battaglia, Matteo," 17CM 11/2 (Spring 2002): 15.
--------, "Faria, Timotheo de," 17CM 11/2 (Spring 2002): 16.
--------, "Ferreira, Miguel," 17CM 11/2 (Spring 2002): 15-16.
--------, "Selosse, Antoine (1621-1687)," 17CM 15/1(Fall 2005): 19.

Douglas Leedy, "Some Observations on Performing Schütz's Music Today," Schütz Society Reports 6/2 (Spring 1990): 1, 11-12.

Thomas Lin, "'Beyond Opera' with La finta pazza," 17CM 20/1 (Fall 2010): 11, 16.

Lowell Lindgren and Noel O'Regan, "17th-Century Music in Rome," 17CM 14/2 (Spring 2005): 10-12.

Eva Linfield, "Cavalli at Yale," 17CM 19/1 (Fall 2009): 9, [16].
--------, "Detmold, 20-29 November—Monteverdi un seine Folgen," 17CM 3/2 Spring 1994: 9-11.
--------, Linda Austern, Barbara Coeyman, Jeffrey Kurtzman, "The Durham Conference on Baroque Music, Four Views,"  17CM 2/1 (Fall 1992): 1-9.
--------, "Heinrich Schütz's Schwanengesang," The Archer 5/1 (Spring/ Summer 1988): 1, 3-4.
--------, Heinrich-Schütz-Tage in Greifswald, 9-12 September 2004,  17CM 14/2 (Spring 2005): 8-9, 13
-------- ,"31. Internationales Heinrich-Schütz-Fest, Landau, Pfalz, 28 April-7 May 1989," Schütz Society Reports 6/1 (Fall 1989): 3-4.
--------, "Weimar, "Musik und Identität," 16-21 September 2004," reviewed by Eva Linfield, 17CM 14/2 (Spring 2005): 9

Kathryn Lowerre, "Baroque Biennial in Manchester," 17CM 14/1 (Fall 2004): 9-10.

Anne MacNeil, "Seventh Biennial Conference on Baroque Music, The University of Birmingham, 4-7 July 1996," 17CM 6/1 (Fall 1996): 1, 3-5.

Michael Markham, "Sirens' Song in San Francisco: Music in and out of the Convent," 17CM 12/2 (Spring 2003): 11.

Carol Marsh, "Seventeenth-Century Dance in a Twelfth-Century Castle," 17CM 14/1 (Fall 2004): 7-8.

Margot Martin, "Literature, Liturgy, and a Requiem," 17CM 11/2 (Spring 2002): 4.

Katherine Tucker McGinnis, "Dance History in Limerick," 17CM 13/1 (Fall 2003): 15-16.

Eleanor McCrickard, "Conference Report. The Pamphilij and the Arts: Patronage and Consumption in Baroque Rome," 17CM 20/2 (Spring 2011): 1, 17.

Stephen Miller, "A Jewel of a Conference: SSCM in La Jolla," 17CM 14/1 (Fall 2004): 1, 5-7.

Hiroyuki Minamino, "Group for Early Modern Cultural Studies, 2003,"  17CM 13/2 (Spring 2004): 11-12.

Kimberlyn Montford, "AMS 2009 [recte 2008]: The Seventeenth Century Comes to Music City," 17CM 18/2 (Spring 2009): 1, 11.
--------, "Cesi, Suor Anna Maria," 17CM 12/2 (Spring 2003): 18.
--------, "Early Modern Conference Meets in San Antonio," 17CM 12/2 (Spring 2003): 6.

Marty Morell, "Psiche in New York City," 17CM 14/2 (2005): 14-15.

Margaret Murata, "Cavalli in Colorado," 17CM 17/1 (Fall 2007); 13-14.
--------, "Cecconi, Alessandro," 17CM 10/1 (Fall 2000): 11.
--------, "Conversations at the Clark (Part Two)," 17CM 11/1 (Fall 2001):7, 9.
--------, "Mantova, 21-24 October 1993--Claudio Monteverdi: Studi e Prospettive,"17CM 3/2 (Spring 1994): 7-9.
--------, "Music of the Brothers Mazzocchi," 17CM 10/2 (Spring 2001): 5.
--------, "Projected Index of Italian Musical Treatises," 17CM 14/1 (Spring 2005): 13.
--------, "Roman Music for Harp and Voice Enchants Audience at Apennine Music Festival," 17CM 18/1 (Fall 2008): 12.
--------, Georgia Cowart, Michael Klaper, "Seventeenth-Century Music from Puebla to Warsaw at Zurich IMS Congress,"  17CM 17/1 (Fall 2007): 6, 11.
--------, "Seventeenth-Century Music in Rome: Studies and Research Perspectives," 17CM 20/1 (Fall 2010): 10, 19.
--------, "Variety Reigns in 2006 Utrecht Concerts" in 17CM 16/2 (Spring 2006): 10, 12-13.

Lois S. Musmann, "Rhetoric and Bernhard: Performance Practice in the Music of Schütz," Schütz Society Reports 7/1 (Fall 1990): 1, 8-10.

Buford Norman, "On-Line resources for French Opera," 17CM 14/1 (Fall 2004): 9.

Brian Oberlander, "Seventeenth-Century Music in Indianapolis: Notes from AMS 2010," 17CM 20/2 (2010): 1, 16.

Greta Olson, "From Australasia" (corresponding member's report), 17CM 11/1 (Fall 2001): 5;12/1 (Fall 2002): 7.
--------, "Letter from Australasia," 17CM 18/2 (Spring 2009): 7.
--------, "Music and Liturgical Reform, 1611 to the Present, Valencia (University of Valencia), June 29-July 2, 2011" (conference report), 17CM 21/1 (Fall 2011): 10.
-------, "Report from Australasia," 17CM 14/1 (Fall 2004): 11.
--------, "[Report from] Australasia,"  17CM 14/2 (Spring 2005): 8.
--------, review of Linda Phyllis Austern, Music in English Children's Drama of the Later Renaissance (Gordon and Breach, 1992), 17CM 3/1 (Fall 1993): 5.

Giulio M. Ongaro, "Fiori non-musicali: Looking for Musical Connections at the Clark,"  17CM 10/2 (Spring 2001): 6.

Noel O'Regan, "From Great Britain" (corresponding member's report), 17CM 11/1 (Fall 2001): 5.
--------, "Medieval and Renaissance Conference 2001 at Spoleto," 17CM 11/1 (Fall 2001): 6.
-------- and Lowell Lindgren, "17th-Century Music in Rome" [conference report], 17CM 14/2 (Spring 2005): 10-12.

Kimberly Parke, "Letter from Australasia: Sawakiika! Greetings from Thailand!" 17CM 20/2 (2010): 3.

Janet Pollack, "Harmony's Entracing Power: Music in Early Modern England (Folger Institute Fall Faculty Weekend Seminar, 23-24 September 2005)," 17CM 15/2 (Spring 2006): 11-12.
--------, "Historical Keyboard Music: Sources, Context, and Performance," 9conference report), 17CM 21/1 (Fall 2011): 11.

William V. Porter, "America's Shrine to Music: A Sounding Board for Ideas," 17CM 10/1 (Fall 2000): 1-2.

Peter S. Poulos, "Giovanni Battista Aicardo (fl. 1609-24)," 17CM 15/2 (Spring 2006): 15.

John S. Powell, "French Baroque Resources Online," 17CM 13/2 (Spring 2004): 13-14.

Rose Pruiksma, "Spring in Evanston: the 13th Annual SSCM Conference," 17CM 15/1 (Fall 2005), 1, 10-11.

Théodora Psychoyou and Laurent Guillo, "Brion, Antoine," 17CM 13/1 (Fall 2003): 20.
--------, "Charpentier in Birmingham," 17CM 14/1 (Fall 2004): 8-9.

Maria Purciello, "Papers to Purge Melancholy? 'Music and Melancholy' at Princeton," 17CM 12/2 (Spring 2003): 6-7.

Richard Quinn, "Evensong in the Restoration," 17CM 11/2 (Spring 2002): 13.

William Reese, "Heinrich Schütz in America," The Archer 1/2 (July 1984): 1, 4-5.

Anthony Rooley, "Musick has Charms: Musings on Aspects of Performance Practice," 17CM 13/1 (Fall 2003): 10-12.
--------, "John Eccles and His Contemporaries: Theatre and Music in London, circa 1700: an interdisciplinary conference, 24-27 February 2005, Florida State University, Tallahassee, FL,"  17CM 15/1 (Fall 2005): 11-12.

Ellen Rosand and Mauro Calcagno, "Eliogabalo in Brussels," 17CM 14/1 (Fall 2004): 11-12.
--------, "New Cavalli Edition Planned" in 17CM 18/2 (Spring 2009): 1, 12.
--------, "Una carta del navegar: Charting the Progress of Venetian-Opera Studies," 17CM 11/2 (Spring 2002): 1-2, 10-11.

Lois Rosow, "James R. Anthony (1922-2001) In memoriam," 17CM 11/1 (Fall 2001): 12.
--------, "Jeffrey Kurtzman: An Appreciation," 17CM 21/1 (Fall 2011): 1-18
--------. "New Edition of Lully's Armide, Performed in Washington, D.C.," 17CM 17/1 (Fall 2007): 13.
--------, Open Letter to the Australian Research Council, 17CM 19/1 (Fall 2009), 5.
--------, "Anne Schnoebelen: An Appreciation," 17CM 20/1 (Fall 2010): 1, 16

Steven Saunders, "'Infinite Boundaries: Separation and Unity in Early Modern German Lands,' Duke University, 20-22 April, 1995," 17CM 5/1 (Fall 1995): 6-7.
-------- and Andrew H. Weaver, "New Editions of Sacred Music by Giovanni Felice Sances," 17CM 13/1 (Fall 2003): 17-18.

David Schildkret, "Advice to Choral Conductors and Singers from Wolfgang Caspar Printz" 17CM 4/2 (Spring 1993): 1, 9-13.

Paul Schleuse, "Psiche in New York,"  17CM 15/1 (Fall 2005): 15.

David Schrader, "East Meets West: The Boston Early Music Festival and Exhibition, June 2005," 17CM 15/1 (Fall 2005): 8-10.

David Schulenberg and Arne Spohr, conference report of Networks of Keyboard Music ca. 1600: Focus on Jan Pieterszoon Sweelink and Peter Philips, McGill University (Montreal) and University of Aberdeen, Scotland, 11-13 Feb. and 1-4 March 2011, 17CM 21/1 (Fall 2011): 6-7.

--------, "The Sound of Royal Entry: Antwerp, 1635," 17CM 20/1 (Fall 2010): 11.

Hendrik Schulze, "Letter from Europe" (corresponding member's report), 17CM 13/1 (Fall 2003): 13-14.
--------, "Letter from Europe," 17CM 14/1 (Fall 2004): 10-11.
--------, "Letter from Europe," 17CM 15/1 (Fall 2005): 7-8.
--------, "Letter from Europe," 17CM 16/1 (Fall 2006): 7-8.
--------. "Letter from Europe, 2007," 17CM 17/1 (Fall 2007): 7, 10.
--------, "Letter from Europe, 2008," 17CM 18/1 (Fall 2008): 5, 10.
--------, "Letter from Europe, 2009," 17CM 19/1 (2009), 7, 15.
--------, "Musical Journeys in Italy: Report on the International Symposium 'Passaggio in Italia'"  17CM 16/2 (Spring 2006): 1, 9-10.

Aliyah Shanti, "Scholars and Performers of All Ages Gather at Princeton for onference on Homer and onteverdi," 17CM 18/2 (Spring 2009): 12-13.

Dale Allen Scott, "Krombhorn [Krumbhorn], Caspar" 17CM 12/1 (Fall 2002); 14
--------, "Krombhorn [Krumbhorn], Tobias," 17CM 12/1 (Fall 2002); 14, 11.

Alexander Silbiger, "Baroque Festival at Richmond," 17CM 11/1 (Fall 2001): 6.
--------, "Castellani, Leonardo (ca. 1610-15 May 1667), 17CM 14/2 (2005): 19.

Stephen Shearon, "Palace Culture in Renaissance & Baroque Rome," 17CM 8/1 (Fall 1998): 2, 7-8.

Kerala J. Snyder, "Alfred Mann: In memoriam," 17CM 16/1 (Fall 2006): 14.
--------, "A New Organ at Göteborg," 17CM 10/1 (Fall 2000): 5.
--------, "News from the International Dieterich Buxtehude Society," 17CM 14/2 (Spring 2005): 12

Gina Spagnoli, "Werner Breig: An Interview," The Archer 3/2 (Fall/Winter 1986): 1, 4.

Arne Spohr and David Schulenberg, conference report on Networks of Keyboard Music ca. 1600: Focus on Jan Pieterszoon Sweelink and Peter Philips, McGill University (Montreal) and University of Aberdeen, Scotland, 11-13 Feb. and 1-4 March 2011, 17CM 21/1 (Fall 2011): 6-7.

SSCM Conferences, see above under Conference Reports/SSCM

Brian Staufenbiel, "More on a Source for Heinrich Schütz's Resurrection Story, 17CM 5/2 (Spring 1996): 10-11.

Beverly Stein, "Celebrating Carissimi's Birthday in Rome," 17CM 15/2 (Spring 2006): 10-11.

Wolfram Steinbeck, "Instrumental Character in the Works of Schütz: On the Significance of Instruments in the Symphoniae sacrae," translated by Peter Laki, The Archer 5/2 (Spring 1989): 1, 4-5; continued in Schütz Society Reports 6/1 (Fall 1989): 1, 5-9.

Frederick Tarrant, "Indianapolis Early Music Festival," 17CM 11/1 (Fall 2001): 13.

Stefanie Tcharos, "Seventeenth-Century Makes a Showing at AMS Houston 2003," 17CM 13/2 (Spring 2004): 1, 8.

Shirley Thompson, "In memoriam: H. Wiley Hitchcock," 17CM 17/2 (Spring 2007): 7.

Colin Timms, "I trionfi di Steffani e della scena barocca," 17CM 21/1 (Fall 2011): 5.

Jutta Toelle, "SIdM in Lecce," 17CM 14/2 (Spring 2005): 10

Nina Treadwell, "17th-Century Studies Compete at AMS/SMT," 17CM 12/2 (Spring 2003): 1, 11-12.
--------, "New Degree Program at UC Santa Cruz Integrates Scholarly Research and Performance," 17CM 16/1 (Fall 2006): 13.

JoAnn Udovich, "BEMF: Following Ariadne's Thread," 17CM 13/1 (Fall 2003): 15-17.
--------, "Charpentier in Baltimore," 17CM 15/2 (Spring 2006): 13.

Laura van Horn, "On the Schütz Influence on P. D. Q. Bach: Exclusive Interview with Professor Peter Schickele," The Archer 2/1 (January/February 1985): 3.

Andreas Waczkat, "Grueber, Iona (Jonas)," 17CM 10/2 (Spring 2001): 14.

Andrew Walkling, "Piecing Lully Together in Central New York," [review of Le Carnaval mascarade, staged in Rochester and Ithaca, NY October 2003], 17CM 13/2 (Spring 2004): 12-13.

Andrew H. Weaver, "AMS 2009: The Seventy-fifth Anniversary Richm in the Seventeenth Century,"
      17CM 19/2 (Spring 2010): 1, 12-13.
-------- and Steven Saunders, "New Editions of Sacred Music by Giovanni Felice Sances," 17CM 13/1 (Fall 2003): 17-18.

Jerome F. Weber, "The Buxtehude Cantatas: A Discography," 17CM 2/2 (Spring 1993): 1, 7-15.
--------, "Henry Du Mont: A Discography of His Vocal Works" 17CM 4/1 (Fall 1994): 1, 6-9.

Kathryn Welter, "Musique de chambre" (review of BEMF 2001), 17CM 11/1 (Fall 2001): 4.

John Whenham, "Sigismondo d'India, Knight of St. Mark," 17CM 8/1 (Fall 1998): 2, 8-10.

Sarah Williams, "Seventeenth-Century Music in the Nation's Capital: Notes from AMS" in 17CM 15/2 (Spring 2006): 1, 8

Amanda Eubanks Winkler, "Fascination with the 'Fairest Isle': The Ninth Annual Conference at Franklin & Marshall," 17CM 11/1 (Fall 2001): 1-2.
--------. "Idyllic Springtime in hte City of Roses: Sixteenth annual SSCm Conference," 17CM 18/1 (Fall 2008): 1, 8.
-------- and Christine Kyprianides, "From Courtly Dances to Mad Songs: British Music in Vermont," 17CM 16/1 (Fall 2006): 6.

Brent Wissick, "Impressions of the Boston Early Music Festival 2009" in 17CM 19/1 (Fall 2009), 10.

Gary D. Zink, "Athanasius Kircher's Stylus phantasticus and the Viennese Ensemble Sonata of the Seventeenth Century," Schütz Society Reports 7/2 (Spring 1991): 1, 7-13.

 

— Compiled by Margaret Murata, October 2003
     Last updated January 2012

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